

Please read the rules You will be expected to follow the rules. I know that it helps when I let my teacher know my own goals and it also helps me learn from my teacher what different elements I need to get there.A subreddit for any violin-related discussion. If it's a goal you have to play, even if it's a far off goal, if you haven't already, it might help to let your teacher know that it's a goal and ask what technique you need to work on to help you achieve this goal one day. I think it's more challenging than it looks.

There are a lot of other threads where people have listed their repertoire progression and I've found these insightful. If you do some searching online, there are threads about which etudes are recommended to play before learning and help with the technique in Mendelssohn. at your level as well as what lies between now and your goal pieces. These can provide a good idea of other rep. Other than the concerto and etude sequence that was also provided in this thread, look up ABRSM, RCM, Trinity repertoire lists. I have read several threads about concerto/repertoire sequence exactly because I want to understand some of the opportunities I have in the future and the skills I'll need to learn to play pieces I enjoy. Understanding other students' progression of repertoire can help you map your own potential progression through rep. It is good to identify goal pieces and map potential repertoire, techniques, etudes that fall between where you are now and your goal. I was thinking about this post and aside from the very useful link provided by sizviolin which will help answer the OP's question, I don't feel like anyone has answered the original question. Nobody ever suggested me Wieniawski for example, so I don't really know how hard they are.įor techniques I don't really know, I'm studying them when I actually need them, without any particular order. Then all the others, ranking them would be too reductive, since everyone's progression is different, my teacher for example did Mozart 2, Kabalevsky, Bruch, Sibelius and Khachaturian.įor the etudes I'm going with Curci, Kreutzer, Fiorillo, Rode, Dont, Gavinies and Paganini. Then I think it depends on the player, the teacher and their attitude. My order is quite strange, but I usually see done the Vivaldi, then the two Bach's, then Kabalevsky and Mozart 3, then Mendelssohn, Bruch, Wieniawski 2 and the easier first tier concertos. Keep in mind that I'm not a teacher nor an expert, I might be wrong since it's just my opinion.

There are certainly harder concertos in the standard repertoire, but it still is a challenge. You might still get the notes down, but from that to make it sound nice it's actually quite difficult. If you're still thinking about which positions you'll need for a piece, I don't think you're ready for Mendelssohn. Thanks to hogit for the r/violinist old Reddit logo!įirst of all, I'm also a young student, so take my advice with more than one grain of salt. Send a modmail and we will review and approve your post as soon as possible. It's probably been caught by the spam filter. If you are looking for transcriptions, please visit r/transcribe. You can look for modern music at your local music or violin shop or by searching online shops. Scores for anime/video game music/film/pop songs are not always available. IMSLP is a good resource for public domain classical music.
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Remember, the more information you can provide, the better answers you will receive.įeel free to join the unofficial discord server, All Types of Violinists!! If you are asking a question, or looking for help, please make sure to include as much relevant information as you can, including video if at all possible. A subreddit for any violin-related discussion.
